Changing stages : a view of British and American theatre in the twentieth century / Richard Eyre and Nicholas Wright
Tipo de material: TextoDetalles de publicación: New York : Alfred A. Knopf, 2001 Descripción: 400 p. : il. ; 26 cmISBN: 0-375-41203-4Tema(s): Teatro -- Estados Unidos -- 19.. -- Historia y Crítica | Teatro inglés -- 19.. -- Historia y CríticaResumen: Changing Stages. Through the flash points of its glorious history, Richard Eyre and Nicholas Wright, two of today's most distinguished men of the theatre, celebrate the British and American stage as it has evolved over the course of the twentieth century. From Pygmalion's first Eliza Doolittle (Mrs. Patrick Campbell, who enchanted playwright George Bernard Shaw in 1914) and her equally piquant successors, to Uta Hagen in Who's Afraid of Virginia Woolf?; from Gertrude Lawrence and Noel Coward in his Private Lives, to Michael Frayn's Copenhagen - this stylish, astute, richly pictorial volume brings us the actors, directors, and playwrights who have shaped one hundred years of the theatre and the performances that live on in our minds.Tipo de ítem | Biblioteca de origen | Signatura | URL | Estado | Fecha de vencimiento | Código de barras | Reserva de ítems | Bibliografía recomendada |
---|---|---|---|---|---|---|---|---|
Manuales | 06. BIBLIOTECA HUMANIDADES | 820(73)-2.09/EYR/cha (Navegar estantería(Abre debajo)) | Texto completo | Disponible Ubicación en estantería | Bibliomaps® | 374102758X |
TEATRO INGLÉS Y NORTEAMERICANO II GRADO EN ESTUDIOS INGLESES Asignatura actualizada 2023-2024 |
||
Monografías | 06. BIBLIOTECA HUMANIDADES | Sótano-53/1-137 (Navegar estantería(Abre debajo)) | Texto completo | Disponible Ubicación en estantería | Bibliomaps® | 3741030005 |
Navegando 06. BIBLIOTECA HUMANIDADES Estantes Cerrar el navegador de estanterías (Oculta el navegador de estanterías)
Indice
Changing Stages. Through the flash points of its glorious history, Richard Eyre and Nicholas Wright, two of today's most distinguished men of the theatre, celebrate the British and American stage as it has evolved over the course of the twentieth century. From Pygmalion's first Eliza Doolittle (Mrs. Patrick Campbell, who enchanted playwright George Bernard Shaw in 1914) and her equally piquant successors, to Uta Hagen in Who's Afraid of Virginia Woolf?; from Gertrude Lawrence and Noel Coward in his Private Lives, to Michael Frayn's Copenhagen - this stylish, astute, richly pictorial volume brings us the actors, directors, and playwrights who have shaped one hundred years of the theatre and the performances that live on in our minds.
No hay comentarios en este titulo.