Waiting for Godot : a tragicomedy in two acts / Samuel Beckett
Tipo de material: TextoDetalles de publicación: London : Faber, 2006 Edición: 2nd ed.Descripción: 87 pISBN: 0-571-22911-5Resumen: 'Nothing happens, nobody comes, nobody goes, it's awful.' This line, from the play, was adopted by Jean Anouilh, to characterize the first production of "Waiting For Godot" at the Theatre de Babylone, in 1953. He went on to predict that the play would, in time, represent the most important premiere to be staged in Paris for forty years. Nobody acquainted with Beckett's masterly black comedy would now question this prescient recognition of a classic of twentieth-century literature.Tipo de ítem | Biblioteca de origen | Signatura | URL | Estado | Fecha de vencimiento | Código de barras | Reserva de ítems |
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Manuales | 06. BIBLIOTECA HUMANIDADES | 820(417)/BEC/wai (Navegar estantería(Abre debajo)) | Texto completo | Disponible Ubicación en estantería | Bibliomaps® | 3741580541 | ||
Manuales | 06. BIBLIOTECA HUMANIDADES | 820(417)/BEC/wai (Navegar estantería(Abre debajo)) | Texto completo | Disponible Ubicación en estantería | Bibliomaps® | 3741580550 | ||
Manuales | 06. BIBLIOTECA HUMANIDADES | 820(417)/BEC/wai (Navegar estantería(Abre debajo)) | Texto completo | Disponible Ubicación en estantería | Bibliomaps® | 3741580532 |
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820(417)/BEC/wai Waiting for Godot : a tragicomedy in two acts / by Samuel Beckett | 820(417)/BEC/wai Waiting for Godot : a tragicomedy in two acts / Samuel Beckett | 820(417)/BEC/wai Waiting for Godot : a tragicomedy in two acts / Samuel Beckett | 820(417)/BEC/wai Waiting for Godot : a tragicomedy in two acts / Samuel Beckett | 820(417)/GIB/car Un carmen en Granada : memorias de un hispanista dublinés / Ian Gibson | 820(417)Joyce/BEN/jam James Joyce : the undiscover'd country / Bernard Benstock | 820(417)Joyce/BRO/jam James Joyce and sexuality / Richard Brown |
'Nothing happens, nobody comes, nobody goes, it's awful.' This line, from the play, was adopted by Jean Anouilh, to characterize the first production of "Waiting For Godot" at the Theatre de Babylone, in 1953. He went on to predict that the play would, in time, represent the most important premiere to be staged in Paris for forty years. Nobody acquainted with Beckett's masterly black comedy would now question this prescient recognition of a classic of twentieth-century literature.
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