Referencias bibliográficas: p. [587]-612.

Introduction to the Original Edition / Robert A. Martin. Introduction to the Expanded Edition / Steven R. Centola. Foreword: Sorting Things Out / Arthur Miller. Tragedy and the Common Man. The Nature of Tragedy. The Salesman Has a Birthday. Preface to an Adaptation of Ibsen's An Enemy of the People. Many Writers: Few Plays. Journey to The Crucible. The American Theater. On Social Plays. The Family in Modern Drama. 1956 and All This. Introduction to the Collected Plays. Brewed in The Crucible. The Shadows of the Gods. Morality and Modern Drama. On Adaptations. Introduction to A View from the Bridge (Two-act version). The State of the Theater. On Recognition. Foreword to After the Fall. What Makes Plays Endure?. Arthur Miller: An Interview. It Could Happen Here - And Did. The Contemporary Theater. On the Theater in Russia. Broadway, From O'Neill to Now. Arthur Miller vs. Lincoln Center. Arthur Miller on The Crucible. The American Writer: The American Theater. Salesman in Beijing. The Will to Live. The Mad Inventor of Modern Drama. An Interview with Arthur Miller. From Timebends: A Life. A Fabulous Appetite for Greatness. Again They Drink from the Cup of Suspicion. Introduction to The Golden Years of The Man Who Had All the Luck. Conditions of Freedom: Two Plays of the Seventies - The Archbishop's Ceiling and The American Clock. A Conversation with Arthur Miller. Arthur Miller: An Interview. Introduction to Plays: Three. On Screenwriting and Language: Introduction to Everybody Wins. We're Probably in an Art That Is - Not Dying. About Theater Language: Afterword to The Last Yankee. Ibsen and the Drama of Today. Appendix. Play Casts and Production Information. Bibliography of Works / Arthur Miller.