The good life [Grabación sonora] / John the Conqueror

Por: John the Conqueror (Grupo musical)Tipo de material: MúsicaMúsicaSeries Centro de Recursos CulturalesDetalles de publicación: [ Burbank, California, Estados Unidos] : Alive Naturalsound Records, 2014 Descripción: 1 CDTema(s): Música rock -- Grabaciones sonoras | Blues (Música) -- Grabaciones sonoras
Contenidos:
Get Em' Mississippi Drinkin' Waking Up To You What Am I Gonna Do Golden Rule Let's Burn Down The Cornfield Road To Bayport You Don't Know John Doe Daddy's Little Girl She Said
Resumen: Philadelphia's John the Conqueror have managed to succumb to the dreaded sophomore slump and rise above it at the same time on their second album, The Good Life. The band is still in full command of their blues power, and what they did well on their self-titled debut they do very well here. Guitarist Pierre Moore's tough, wiry guitar figures take the traditions of blues-rock and gives them a strenuous workout without playing them for too much flash, and drummer Michael Gardner and bassist Ryan Lynn are a powerful rhythm section who get the job done with lots of force and plenty of groove. The addition of Steve Lynn on keyboards is a good move, adding welcome tonal color to the tunes without interfering with the band's core approach. But the biggest problems that dogged John the Conqueror on their debut are still seated front and center on The Good Life. This band still has a bad habit of playing most of their songs in the same middling tempo, and by the midway point the groove has turned into a deep rut. And the sad truth is Moore isn't much of a songwriter. While he can come up with a good funky groove on "Get 'Em" and "What Am I Gonna Do," most of this is built around standard-issue blues changes, and there are too many songs about boozing, getting high, and getting in trouble, and not enough with anything resembling substance (though he tries on "John Doe" and "Daddy's Little Girl"); it's no coincidence that the most striking song here is a cover of Randy Newman's "Let's Burn Down the Cornfield." The Good Life confirms that there are the makings of a great band in John the Conqueror, but they need to beef up their songwriting if they're going to make it to the next level.
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Existencias
Tipo de ítem Biblioteca de origen Colección Signatura Estado Fecha de vencimiento Código de barras Reserva de ítems
Monografías 06. BIBLIOTECA HUMANIDADES
Recursos Culturales Mostrador-CD-5012 (Navegar estantería(Abre debajo)) Disponible   Ubicación en estantería | Bibliomaps® 3744275153
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Get Em'
Mississippi Drinkin'
Waking Up To You
What Am I Gonna Do
Golden Rule
Let's Burn Down The Cornfield
Road To Bayport
You Don't Know
John Doe
Daddy's Little Girl
She Said

Philadelphia's John the Conqueror have managed to succumb to the dreaded sophomore slump and rise above it at the same time on their second album, The Good Life. The band is still in full command of their blues power, and what they did well on their self-titled debut they do very well here. Guitarist Pierre Moore's tough, wiry guitar figures take the traditions of blues-rock and gives them a strenuous workout without playing them for too much flash, and drummer Michael Gardner and bassist Ryan Lynn are a powerful rhythm section who get the job done with lots of force and plenty of groove. The addition of Steve Lynn on keyboards is a good move, adding welcome tonal color to the tunes without interfering with the band's core approach. But the biggest problems that dogged John the Conqueror on their debut are still seated front and center on The Good Life. This band still has a bad habit of playing most of their songs in the same middling tempo, and by the midway point the groove has turned into a deep rut. And the sad truth is Moore isn't much of a songwriter. While he can come up with a good funky groove on "Get 'Em" and "What Am I Gonna Do," most of this is built around standard-issue blues changes, and there are too many songs about boozing, getting high, and getting in trouble, and not enough with anything resembling substance (though he tries on "John Doe" and "Daddy's Little Girl"); it's no coincidence that the most striking song here is a cover of Randy Newman's "Let's Burn Down the Cornfield." The Good Life confirms that there are the makings of a great band in John the Conqueror, but they need to beef up their songwriting if they're going to make it to the next level.

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