The tonadilla in performance : lyric comedy in Enlightenment Spain / Elisabeth Le Guin
Tipo de material:
TextoDetalles de publicación: Berkeley: University of California Press, 2014 Descripción: XXI, 383 p. : il.; 24 cmISBN: 9780520276307Tema(s): Poesía española -- 17.. -- Historia y crítica | Tonadillas -- España -- 17 | Spanish poetry -- 18th century -- History and criticism | Tonadilla -- Spain -- 18th century | Tonadillas escénicas | Zarzuelas | Música en el arteResumen: The tonadilla, a type of satiric musical skit popular on the public stages of Madrid during the late Enlightenment, has played a significant role in the history of music in Spain. This book, the first major study of the tonadilla in English, examines the musical, theatrical, and social worlds that the tonadilla brought together and traces the lasting influence this genre has had on the historiography of Spanish music. The tonadillas' careful constructions of musical populism provide a window onto the tensions among Enlightenment modernity, folkloric nationalism, and the politics of representation; their diverse, engaging, and cosmopolitan music is an invitation to reexamine tired old ideas of musical "Spanishness." Perhaps most radically of all, their satirical stance urges us to embrace the labile, paratextual nature of comic performance as central to the construction of history.
| Tipo de ítem | Biblioteca de origen | Signatura | URL | Estado | Fecha de vencimiento | Código de barras | Reserva de ítems |
|---|---|---|---|---|---|---|---|
| Monografías | 06. BIBLIOTECA HUMANIDADES | 782(460)/LEG/ton (Navegar estantería(Abre debajo)) | Texto completo | Prestado | 31/01/2025 | 3744139160 |
Índice
Bibliografía: p. 349-372
The tonadilla, a type of satiric musical skit popular on the public stages of Madrid during the late Enlightenment, has played a significant role in the history of music in Spain. This book, the first major study of the tonadilla in English, examines the musical, theatrical, and social worlds that the tonadilla brought together and traces the lasting influence this genre has had on the historiography of Spanish music. The tonadillas' careful constructions of musical populism provide a window onto the tensions among Enlightenment modernity, folkloric nationalism, and the politics of representation; their diverse, engaging, and cosmopolitan music is an invitation to reexamine tired old ideas of musical "Spanishness." Perhaps most radically of all, their satirical stance urges us to embrace the labile, paratextual nature of comic performance as central to the construction of history.
No hay comentarios en este titulo.