The poetics of melancholy in early modern England / Douglas Trevor
Tipo de material: TextoSeries Cambridge Studies in Renaissance Literature & Culture ; 48Detalles de publicación: Cambridge : Cambridge University, 2009 Descripción: XII, 251 p. ; 23 cmISBN: 978-0-521-11423-3Tema(s): Poesía Inglesa -- 15..-16.. -- Historia y críticaResumen: Exploring how attitudes toward human emotions changed in England during the late sixteenth and early seventeenth centuries, this book emphasizes the shared concerns of the 'non-literary' and 'literary' texts produced by Edmund Spenser, John Donne, Robert Burton, and John Milton. Douglas Trevor asserts that 'scholarly' practices such as glossing texts and appending sidenotes influenced the methods by which these writers came to analyze their own moods.Resumen: Índice: 1. The reinvention of sadness; 2. Detachability and the passions in Edmund Spenser's The Shepheardes Calender; 3. Hamlet and the humors of skepticism; 4. John Donne and scholarly melancholy; 5. Robert Burton's melancholic England; 6. Solitary Milton; Epilogue: after Galenism: angelic corporeality in Paradise Lost.Tipo de ítem | Biblioteca de origen | Signatura | URL | Estado | Fecha de vencimiento | Código de barras | Reserva de ítems |
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Monografías | 06. BIBLIOTECA HUMANIDADES | 820-1.09"15/16"/TRE/poe (Navegar estantería(Abre debajo)) | Texto completo | Disponible Ubicación en estantería | Bibliomaps® | 3742944173 |
Índice
Bibliografía: p. 229-245
Exploring how attitudes toward human emotions changed in England during the late sixteenth and early seventeenth centuries, this book emphasizes the shared concerns of the 'non-literary' and 'literary' texts produced by Edmund Spenser, John Donne, Robert Burton, and John Milton. Douglas Trevor asserts that 'scholarly' practices such as glossing texts and appending sidenotes influenced the methods by which these writers came to analyze their own moods.
Índice: 1. The reinvention of sadness; 2. Detachability and the passions in Edmund Spenser's The Shepheardes Calender; 3. Hamlet and the humors of skepticism; 4. John Donne and scholarly melancholy; 5. Robert Burton's melancholic England; 6. Solitary Milton; Epilogue: after Galenism: angelic corporeality in Paradise Lost.
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